Murder On The Orient Express Review
The latest adaptation of Agatha Christie's 83-year-old classic whodunit, this lavish, star-studded film is old-style entertainment. Director-star Kenneth Branagh lets the story unfold with attention to detail while filling the screen with eye-catching images, from the spectacular mountain settings to the opulent costumes. And while the story is too familiar to stir up too much suspense, it's played with a strong sense of emotional resonance. And the moral question is provocative.
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The Orient Express sets off from 1934 Istanbul with a colourful collection of passengers. A last-minute addition is noted detective Hercule Poirot (Branagh), who has just solved a thorny mystery in Jerusalem and is now heading to London. Even though he shouldn't be working, he begins to weigh up the odd collection of passengers around him, including a gangster (Johnny Depp), countess (Judi Dench), widow (Michelle Pfeiffer), governess (Daisy Ridley), maid (Olivia Colman), salesman (Wille Dafoe), assistant (Josh Gad), butler (Derek Jacobi) and doctor (Leslie Odom Jr.). Then in the middle of the night, one of them is violently murdered. And when the train becomes lodged in a snowdrift, Poirot has the time to dig further into each person's clearly suspicious back-story.
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